4/11/2023 0 Comments Dinosaur jr sweep it into spaceThey continue to expand their personal universe with Sweep It Into Space, without ever losing their central core. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. Lou's songs here are as elegant as always. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Indeed, Sweep It Into Space is a very cool album. The only extra musician used this time with Kurt Vile. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/South East tour. And Sweep It Into Space is a masterpiece of zoned dialing. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. Sweep It Into Space is no different – and all the better for it.Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr. Like The Cure, Dinosaur Jr have spent an entire career producing near flawless albums full of heavily disguised pop songs. The unmistakeable “In between Days” chime of the acoustic on “And Me”, nods to a comparison that is fitting in every way. The lurching chords and breezy pace of “Hide Another Round”, for example, showcases the band’s uncanny ability to pivot from distorted noise to pop poise in the space of a single bar while jumping on no one else’s “Wagon” but their own.Īnd when an unconscious cameo does creep in, it’s The Cure. Given their history, through original line-up to one-man-band and back again, Dinosaur Jr have become a self-sustaining force – happy to plunder aspects of their back catalogue rather than look outside for influence. On their fifth album since their re-emergence in 2005 and their 12 th record overall, ‘Sweep It Into Space’ captures the veteran trio embracing the true aspect of creative freedom. When Mascis’ obligatory guitar solo appears, it doesn’t seem bolted on, it feels like a collaborative move. are a band who’ve earned the right to do exactly what they want. It’s a welcome reminder that Dinosaur Jr boast two exceptional songwriters and, although Barlow paints from his own palette, he does so in complementary colours. “The center’s holding/And can’t be broken” sings a cautiously optimistic Barlow, over a guitar motif that builds on the firm foundations of Murph’s drumming. This delicate balance is also evident on the first of Lou Barlow’s songs, “Garden”. Opener “I Ain’t” is, perhaps, the most quintessential Dinosaur Jr moment here, the thick, staccato strata of Mascis’ weighty guitar counterpointed by the bewildered frailty of his plaintive lyric, “I ain’t getting along/Can’t quite face it/Wish you’d bring me home.” What is surprising is how urgent they still sound painting new pictures with these same primary colours, and how much variation they manage to find – how much new room to move. There’s heavy riffs, chopping rhythms, plaintive vocals and beautifully emotive lead lines that go right for the guts. However, on hearing Sweep It Into Space, Dinosaur Jr.’s fifth album since their unexpected 2007 rebirth, it could easily apply to J Mascis, Lou Barlow and Murph.Ī lot has been written, much of it here, about the trio’s glacial evolution since their 1985 debut, and Sweep… certainly has all the familiar ingredients perfectly preserved in its slowly shifting ice.
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